Wednesday, 13 May 2026

Embalmed Alive and Other Tales of Egyptian Mummies

We are back in Egypt for the next Nezu Press release. Aside from being a rather big one (618 pages long!), it's also the first Nezu Press anthology.

As you probably know already, I am an Egyptophile, and this project has been a real labour of love for me. Of the thirty-two tales included, half of them were written by women, a third have not been republished since they first appeared in print, and of the rest a number have been republished only once before. Also, though many of us tend to think of the discovery of the tomb of Tutankhamun (death on swift wings, and all that) as the inspiration for lots of mummy curse stories being written, these tales were published between 1827 and 1939, and all but two of them appeared before Carter and Carnarvon made their famous find towards the end of 1922.

There is a 29-page introductory essay by yours truly: ‘Cure Me, Thrill Me, Kill Me! The Mummy: From Magical Cure to Murderous Curse’. And there are forty black-and-white illustrations too, some of which accompanied the tales when they were first published. The stories included are: 

The Mummy (excerpt, 1827) - Jane Webb Loudon
The Mummy’s Soul (1862) - Anonymous
After Three Thousand Years (1868) - Jane G. Austin
Lost in a Pyramid; Or, the Mummy’s Curse (1869) - Louisa May Alcott
The Egyptian Amulet (1881) - Mrs M. Sheffey Peters
The Paraschites (1889) - Mallard Herbertson (pseud. of Marie Hutcheson)
The Curse of Vasartas (1889) - Eva M. Henry
Embalmed Alive (1890) - Gustave Toudouze
Xartella (1891) - Florence Carpenter Dieudonné
Lot No. 249 (1892) - A. Conan Doyle
The Unseen Man’s Story (1893) - Julian Hawthorne
Robber of the Dead (1894) - Rev. W. S. Lach-Szyrma
At the Pyramid of the Sacred Bulls (1896) - Charles J. Mansford
Pharaoh’s Curse (1897) - Lucian Sorrel
The Story of Baelbrow (1898) - E. and H. Heron (pseud. of Kate and Hesketh Pritchard)
The Mummy Necklace (1899) - Arabella Romilly
The Spirit of Amenof (1899) - Countess De Sulmalla
The Mummy and the Moth (1900) - Agnes Warner McClelland
The Mummy Hand (1901) - Adeline Sergeant
The Skirts of Chance (1902) - Beatrice Heron-Maxwell
The Dead Hand (1904) - Hester White
A Professor of Egyptology (1904) - Guy Boothby
The Bulb (1906) - Clive Pemberton
The Soul of a Mummy (1908) - Blanche Bloor Schleppy
The Secret of Horeb-Ra-Men (1909) - Edwin Wooton
The Case of Professor Engelbach (1909) - Derek Vane (pseud. of Blanche Eaton Back)
The Necklace of Dreams (1910) - W. G. Peasgood
The Dead Face (1910) - Frederick Graves
Smith and the Pharaohs (1913) - H. Rider Haggard
The Mummy’s Foot (1914) - Jessie Adelaide Middleton
Black Coffee (1929) - Jeffery Farnol
The Mummy of Ret-Seh (1939) - A. Hyatt Verrill

ISBN-13: 978-1-917113-17-5
Hardback with dust jacket, 22.86cm x 15.24cm (6" x 9"), 618 pages
Published: 15 July 2026

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available (with no tariffs for US customers). Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.




Now, I’ve had a good old chuckle at some of the real-life curse stories I’ve come across over the years. You know the sort of thing: reports of endless things going wrong when a person so much as looks at a mummy case sideways. But I have to admit that while putting together the cover for this book, and working with the image of the coffin of Lady Tadi-en-hent awy, I have never encountered so many problems during what is usually a straightforward process. In the end, it took five hours to assemble the jacket. Sections of artwork moved without anyone touching them (the text section on the back cover repeatedly moved closer to the coffin on the front), and the colours changed every time the final file was saved. After going back and starting from scratch, the shenanigans began all over again. The design software presets repeatedly unset themselves, spaces in the text disappeared, the titles changed colour, and I half expected the final jacket file to be rejected by the printer! Thankfully, everything worked out in the end.

Lady Tadi-en-hent awy’s coffin resides in Birmingham Museum & Art Gallery, and I used to visit the museum regularly when I was a child; in fact, that is where my interest in ancient Egypt was born (along with my love of Pre-Raphaelite art). It’s one of two Egyptian coffins in the museum’s collection, and the other, that of Namenkhetamun, still contains the mummy (the name is that of a lady, but the mummy inside is apparently male). Anyway, I hope that Lady Tadi-en-hent awy approves of the cover. It was important to the ancient Egyptians that they were remembered after death, so I think she'll be pleased about you all knowing her name.

Thursday, 23 April 2026

In the Dwellings of the Wilderness ~ C. Bryson Taylor

I have a thing for Egypt. I think I've mentioned that before. I've had one ever since I was knee-high to a grasshopper, when I took part in a school play about the discovery of Tutankhamen's tomb. I've also mentioned before that one of my favourite films is Hammer's The Mummy (1959). I also have a fondness for vampires (not the sparkly ones). So, you can imagine how over the moon and beside myself with joy I was when I first read Charlotte Bryson Taylor's In the Dwellings of the Wilderness... which contains a vampiric mummy! Did all of my Christmases come at once, or what!

Anyway, this wonderful book is the next Nezu Press offering, and it will be out on 8 June. The Independent (New York) described it as ‘A story with a new kind of thrill', and warned 'all who have nerves and nightmares against reading this book.' Current Literature was 'strongly reminded of some of Edgar Allan Poe’s work.' According to the San Francisco Chronicle, it is ‘Weird, almost grewsome, with an incongruity of modern practical life which serves to throw its other characteristics into all the stronger light.’

When Deane, Merritt, and Holloway uncover the entrance to a previously undisturbed tomb while digging in Egypt, they ignore the warning inscribed above its entrance to ‘wake not the soul that sleeps within’. They unblock the doorway marked ‘forbidden’ and uncover the mummy of an ancient Egyptian princess who was buried alive for her sins. And in opening the tomb, they release the devil that dwells within. 

First published in 1904, this new edition of In the Dwellings of the Wilderness includes a 20-page biographical essay by yours truly, “Charlotte Bryson Taylor: ‘Clever Writer of Fiction’ and ‘Angel’ of Washington Fire Department”, which contains a large amount of new information about the author of this atmospheric tale of the mummy’s curse.

ISBN-13: 978-1-917113-16-8
Case laminate hardback, 22.86cm x 15.24cm (6" x 9"), 114 pages
Published: 8 June 2026

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available (with no tariffs for US customers). Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.


Monday, 9 February 2026

Book News ~ The House of Terror by Gerald Biss

The second Gerald Biss offering that's coming out in March is The House of Terror, first published by Greening & Co. Ltd. in 1909. The new Nezu Press edition sports a dashingly good-looking dust jacket featuring a painting by Les Edwards (Edward Miller) and includes a 16-page biographical essay by yours truly: ‘Gerald Biss: The Most Lovable Soul That Ever Existed’ (which is also included in The Door of the Unreal).

Beth Holyoake, an orphan in whose life so far ‘love had no chance’, is called home to a house she has not lived in since she was a young child by her dead father’s twin brother, Lord Angmering. She has high hopes for this new chapter in her life, but her uncle is a controlling bully who wants to marry her off to his reckless drunkard of a son, and the entire household lives in fear of the family curse, ‘The Horror’ that is kept locked up in the east wing. Beth’s aunt, Lady Mary, is her only ally in the house, but she is too afraid of Lord Angmering and his son to be of any assistance. Only Jack Spalding, the estate manager, is able and willing to help Beth solve the mystery of ‘The Horror’ and free her from the clutches of Lord Angmering and his drunken son.

‘An exciting sensational story, with a horrifying mystery.’ ~ St. James’s Budget, November 1909.

‘A clever sensational novel… with much ingenuity and many thrills.’ ~ Manchester Courier, November 1909.

‘The story is told in such a way as to create excitement, and to keep it up until the book is closed.’ ~ Belfast News-Letter, January 1910.

ISBN-13: 978-1-917113-14-4
Hardback with dust jacket, 22.86cm x 15.24cm (6” x 9”), 224 pages
Published: 14 March 2026

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available (with no tariffs for US customers). Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.


Book News ~ The Door of the Unreal by Gerald Biss

Hooo-oooow are you today? Fangs for stopping by. It's been a wuff start to the year, but here's hoping for better things. Okay, enough of the werewolfing about.

As with last year and the one before, the first author Nezu Press is publishing this year is a chap. Gerald Biss, to be exact. And what a lovely chap he was; seriously, everybody loved him... And so do I. Two of his novels will be coming out next month, the first of which is The Door of the Unreal, originally published by Eveleigh Nash Company Limited in 1919. This new edition includes a 16-page biographical essay by me: ‘Gerald Biss: The Most Lovable Soul That Ever Existed’.

When people begin disappearing without a trace at a specific spot on the Brighton Road, the police are left without a clue, but Lincoln Osgood, a well-travelled American who is staying at nearby Clymping Manor, has a theory—one so fantastic, so ‘strange and bizarre beyond all words’, that he fears being labelled a lunatic. With limited time left before the next full moon, which falls on Walpurgis Night, he must convince Scotland Yard that there are werewolves at large in sleepy Sussex and that, if action is not taken in time, a young woman’s soul might be lost for ever. Told in a matter-of-fact way, with the feel of a tense thriller rather than a horror novel, one reviewer described The Door of the Unreal as ‘fascinating in its horrors and written with a skill which makes even the impossible seem likely’.

‘Mr. Biss has taken the legend of the “Werewolf,” brought it up to date, and woven around it a yarn as thrilling and mysterious as the most voracious reader after blood and thunder could possibly desire.’ ~ The Tatler, December 1919.

‘A story of the “creepy” order, fascinating in its horrors and written with a skill which makes even the impossible seem likely.’ ~ Sheffield Daily Telegraph, December 1919.

‘A well-written, splendidly-conceived, and thrilling piece of fiction… absorbing in the extreme.” ~ Sporting Times, November 1919.

ISBN-13: 978-1-917113-15-1
Hardback with dust jacket, 22.86cm x 15.24cm (6” x 9”), 230 pages
Published: 14 March 2026

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available (with no tariffs for US customers). Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.


Saturday, 13 December 2025

Merry Christmas from R. Ellis Roberts

I've been collecting ephemera for years, and I bought these Christmas cards recently. They were sent from Richard Ellis Roberts, author of The Other End, to Vera Carr between 1904 and 1912. There was more than one gentleman called Richard Ellis Roberts knocking about at the beginning of the twentieth century, but luckily these cards have the writer's address in London printed on the inside.

Three of the cards (the ones with colour illustrations) were produced by Cuala Press, an Irish private press run by Elizabeth Yeats, the sister of William Butler Yeats. The monochrome card was produced by the Universities' Mission to Central Africa, and that one is signed on the back (see below).

I couldn't help wondering who Vera Carr was, so I began digging about. There were quite a few ladies about with that name, and with nothing but the name to go on I thought I'd never find her. But then I came across an article written by Richard in the Pall Mall magazine in 1910 entitled 'How to Make Interesting Pictures: "The Little Monks" '... 'illustrated from Photographs by Sydney H. Carr'.

Sydney Herbert Baker Carr was a Lincoln-born artist who moved to Penzance in Cornwall in the 1880s. And he had a daughter: Vera. When Richard sent the earliest of the cards, in 1904, she would have been fourteen years old. At that time, her family was living at a house on Albany Terrace in St. Ives. By the time Richard sent the last of these cards, her family had moved to Arkleby on Talland Road.

Vera married in 1916 and moved to Bristol. She died in 1983 and was buried in Arnos Vale cemetery, a place I used to pass every now and then when I lived in Somerset. It's a small world.

Monday, 24 November 2025

Sir Alexander Seton's Troublesome Bone... Again

After writing my last blog post, I began wondering about the original owner of that cursed bone. I didn't expect to find anything out about her, but Alexander's various reports of his visit to the tomb included specific information that turned out to be extremely helpful, 

According to his memoir, Alexander and Zeyla Seton stayed at the Mena House Hotel in Cairo, where ‘the great Pyramid towers over the hotel’. The guide, Abdul, told Alexander that new tombs had recently been discovered ‘behind the Pyramid’. They were not of any great importance, Abdul explained, but one of the tombs was going to be examined the following day, and he could arrange for the Setons to see inside it.

The tomb was ‘pre-mummy era’ and ‘had at one time been filled by the mud of the Nile’. The Setons descended about thirty stone steps to reach the burial chamber and there saw the remains of a skeleton lying on a stone slab. The skull and leg bones were clearly visible, and the spine was almost intact, but few of the ribs remained; ‘water and mud had removed most.’ There was no inscription present to identify the tomb’s occupant, but she was described by the guide as ‘a high-class girl’.

After looking at plans of the area around the great pyramid, I concluded that the tombs ‘behind the Pyramid’ (in relation to the position of the Setons' hotel) and ‘not of any great historical value’ must be the mastabas1 of the Central Field, many of which were excavated by Selim Hassan2 (see photo right) between 1929 and 1939. His findings were recorded in his ten-volume work Excavations at Giza. The excavations of 1936 were covered in The Mastabas of the Seventh Season and Their Description.

The seventh season began on 1 October 1935, and reaching the tombs turned out to be ‘strenuous and exhausting’ as the workmen had to clear large mounds of debris several metres high; chippings, debris, and rubbish had formed a solid mass, cemented together by mud-laden storm water.

In one unplundered tomb, entrance to which was gained via a sloping passage, the sarcophagus was ‘entirely filled with mud’; it had seeped through holes and cracks in the mortar of the chamber and had to be extracted from the sarcophagus ‘flake by flake’ to reveal the skeleton of a woman. Though there was no inscription to identify the occupant of the tomb, its position, between those of two members of the fourth dynasty Khafra family, suggested the deceased female was a member of that royal family.

Hassan designated the tomb ‘The Mastaba of the Princess, Daughter of Khafra’; it is now referred to as G8250. A report of the tomb's discovery in the Illustrated London News (11 April 1936) included a photograph of the portrait head found in the tomb (see below), and described the position of the skeleton when it was uncovered: ‘extended on its back with head to the north’.

There were various other items found in the tomb—jewellery, beads, pottery, the bones of a sacrificial ox, etc—but by the time the Setons visited it these would have been removed, leaving only the skeleton for them to see.

I could be wrong (though my husband insists that this is never a possibility!), but Alexander's description of the tomb, its location, the timing, and the skeleton's muddy condition strongly suggest to me the one discovered by Selim Hassan. And given the amount of coverage the discoveries in Egypt got, and the detail included in reports, I'm surprised nobody saw the connection between the troublesome bone and the mud-covered occupant of G8250 at the time. 

For more information about the various excavations in Egypt, there's The Giza Project at Harvard University. In addition to plans and the such like, you can read the various volumes of Selim Hassan's Excavations at Giza.

__________
1 Mastaba: a type of ancient Egyptian tomb; a flat-roofed, rectangular structure with sloping sides.
2 The Egyptologist Selim Hassan was the first native Egyptian to be appointed Professor of Egyptology at the University of Cairo.

Sunday, 23 November 2025

Sir Alexander Seton's Troublesome Bone

I have a liking for tales of cursed Egyptian objects; that's one of the reasons I am so fond of Out of the Ages by Devereux Pryce. There's something very appealing about the idea that a person who has the cheek to remove a relic from an Egyptian tomb will end up haunted or, better still, dead under mysterious circumstances. After the discovery of Tutankhamen's tomb, tales of curses and death coming on swift wings to those who entered tombs and removed relics were very popular, and yet people (well, well off ones anyway) still took souvenirs from burial sites. That's what Sir Alexander Seton and his wife did, and—if you believe his account of what followed—their souvenir gave them nothing but trouble.

According to his account in the Daily News (2 April 1937), Alexander and his wife, Zeyla, visited Egypt in 1936 and stayed for a time in Cairo. Having received permission from 'someone high in Egyptian Ministerial circles', they visited the excavations at Giza, which at the time were not open to the public. They were shown a newly-opened tomb, and then, noticing numerous bones lying about the place, Zeyla 'expressed a great desire' to have one (because taking a bone home as a souvenir when you visit a grave is a perfectly normal thing to do). A local was persuaded to crawl into a hole to retrieve a bone, and the Setons were very pleased with their relic, which they 'treated as a joke'. At least, this was the account given to the various newspapers at the time. According to Alexander's version of events in his unpublished memoir, Zeyla went back alone to the tomb to swipe a bone without his knowledge.

However the bone came into her possession, an Egyptian guide begged Zeyla to return it to its tomb, but she refused, and it remained with the Setons throughout the remainder of their holiday. It then travelled with them when they returned home to 15 Learmonth Gardens in Edinburgh (Alexander making the journey a month before his wife, who is shown with the troublesome bone in the image below), and that was when their troubles began.

According to the Daily News report, both Alexander and Zeyla became quite ill, but they did not at first suspect the bone, which was kept in a glass case in their drawing room, of being the cause. Some time later, a young nephew, who had been told nothing of the bone, was frightened one night when he saw 'a figure walk across the landing into the drawing-room.' Then another visitor to the house saw the same figure, and the Setons began to associate their troubles with their Egyptian relic.

In January 1937, a friend of the Setons warned them, during a card reading, that 'there was some curious influence in the house', and a short time after this Alexander became ill again. Towards the end of the same month, Zeyla fell ill, followed by their child, their nurse, and their maid, and Alexander experienced a feeling which he described as 'merely dread of knowing one was not alone.' Alexander took the bone to an eminent surgeon and was told that it was a female sacrum (a triangular bone in the lower back). Like the Egyptian guide, the surgeon suggested that the bone should be returned to Egypt.

In March 1937, Alexander went into his drawing room one afternoon to find, to his amazement, that the glass case which contained the bone had been completely shattered, despite the fact that the room had been empty. Alexander insisted that he was 'not a frightened housewife', and not in the habit of smashing his own glassware, and suggested that 'the old story that the Egyptians particularly had powers of cursing anyone who disturbed their earthly remains had something in it.'

According to a report in the Weekly Dispatch (28 March 1937), as a result of the sacred bone's presence there were two fires at the Setons' home, guests complained of seeing a robed figure, and no maids would remain in the house; it was also claimed that the maid of the surgeon who examined the relic broke her leg when she fell down some stairs while fleeing 'a robed figure'. By the end of March, Alexander (pictured right) had announced that his wife intended to travel to Egypt to return the bone to its tomb (Daily Mirror, 29 March 1937).

On 9 April, Alexander gave an account of the strange events surrounding the Egyptian relic at a meeting at Edinburgh Psychic College. Shortly after he finished speaking, Mrs Bateman, a well-known clairvoyant from London, took to the stage and foretold that if the bone was not returned to Egypt within six weeks 'blindness will come upon those who touch it' (The Scotsman, 10 April 1937). As far as I am aware, nobody did go blind, but the table upon which the bone rested was said to have been 'lifted by an unknown agency, carried to the middle of the floor, and overturned.'

A couple of months after the bone's case was destroyed, The Scotsman reported on 20 May that Alexander had found the bone and its new case smashed to pieces the previous day, and that he intended to give both a decent burial. Following the bone's destruction, all was quiet for a while (Chelmsford Chronicle, 11 June 1937).

But in August, the troublesome bone was in the news again when the Sunday Post reported that Zeyla was planning to go to America to take part in a radio dramatisation of the Setons' story, as suggested by Robert E. Ripley of 'Believe It or Not' fame. Coincidentally, the bone fragments, which had given the Setons no trouble for months, suddenly set themselves on fire inside a drawer; Alexander had extinguished them with a soda syphon. Zeyla expressed her willingness to take part in the dramatisation 'for the fun of the thing', and Alexander was planning to take part in a similar broadcast in this country.

In his unpublished memoir, Alexander's version of the burning of the bone is very different from that given to the newspapers. Having decided that something had to be done about the troublesome relic, he enlisted the help of his uncle, Father Benedict of St Benedict’s Abbey at Fort Augustus. Following an exorcism, the bone was burned, and Alexander made sure that not a single fragment of it survived.

By the beginning of 1938, both dramatisation projects had fallen through, and Alexander announced again that the bone was being returned to Egypt, this time by a friend whom he would not name in case an attempt was made to steal the relic (Dundee Evening Telegraph, 10 January 1938). According to the newspaper report, what remained of the bone was being kept in a cupboard at Learmonth Gardens. It is difficult to understand, though, what could be kept in a cupboard or returned to Egypt as the bone had been completely destroyed by this time.

Anyway, interest in the Egyptian bone was very much on the wane by this time. Luckily, the Setons had another relic waiting in the wings. In June 1938, the Daily Record reported that, while at his club, Alexander had received a mysterious note about a buddha figure that had been given to his father by a friend who'd been present during the looting of Lhasa. It was the buddha, the note claimed, that was responsible for the Setons' misfortunes. It went on to say that Alexander would find the figure lying on the drawing room floor with a damaged arm when he returned to Learmonth Gardens. Sure enough, the buddha was exactly where the mysterious note said it would be when Alexander got home, and its arm was indeed damaged. Alexander claimed to have no belief in magic, but he was 'beginning to wonder'.

The Setons divorced in 1939. Both remarried and attempted to move on, but Zeyla wasn't terribly happy, suffered from ill health, and died in 1963 at the young age of fifty-nine. Alexander remained firmly convinced that taking a relic from an Egyptian tomb brought bad luck, and that the bone he and his wife had brought back from Giza had had an evil influence upon his life. He died nine and a half months before Zeyla at the age of fifty-eight.

Friday, 3 October 2025

The Fetch by Joseph Shearing (Marjorie Bowen)

The second Marjorie Bowen title coming out in October is The Fetch, published under her psudonym Joseph Shearing. It was issued in the US as The Spectral Bride.

I really enjoyed working on this book because of the link to a real-life legal case. After reading the essay by William Roughead that inspired the novel, I did some digging about of my own to find out what happened to the young woman Adelaide Fenton is based on, and she was quite the character! The real-life earl who the character James Daintry is based on did indeed have an uncle who was hanged for murder. There doesn't appear to have been anything ordinary or normal about anyone involved!

Here's the official description: 

Adelaide Fenton is obsessed with the idea of marrying James Daintry, the sole heir of an old, aristocratic, and rather eccentric family, the members of which have all met tragic ends. James’s great-uncle, Lord Seagrove, was hanged at Tyburn for the murder of a village girl, Harriet Bond, whose ‘fetch’ is said to haunt the folly at Charters, one of the family’s estates. While Adelaide is busy planning for her marriage, her younger sister is busy dabbling in blackmail, and her mother is busy consulting her solicitor in the hope of gaining financially from the whole business, James, convinced that he is being haunted by Harriet’s ghost, is slowly descending into madness. 

Though inspired by the famous 1846 breach of promise court case of Mary Elizabeth Smith versus the Right Hon. Washington Sewallis Shirley, Earl Ferrers, The Fetch is no mere retelling of events leading up to the trial. It is a dark and sinister tale of murder, conspiracy, obsession, and insanity… and the dangers of reading too many romances obtained from the circulating library.

The Fetch was first published in the UK by Hutchinson & Co. in 1942; it was published in the US under the title The Spectral Bride. This new edition of the novel includes the essay that inspired it: ‘The Ambiguities of Miss Smith’ by William Roughead. It also includes a 19-page biographical essay, ‘Margaret Campbell: The Lady with the Hundred Names’, and ‘Whatever Became of Miss Smith?’, a follow-up to Roughead’s essay, both by Gina R. Collia.

ISBN-13: 978-1-917113-13-7
Hardback with dust jacket, 22.86cm x 15.24cm (6” x 9”), 392 pages.
Published: 29 October 2025

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available. Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.


Sheep's-Head and Babylon by Marjorie Bowen

On 29 October Nezu Press will publish two titles by Marjorie Bowen. The first is the rather rare collection of short stories Sheep’s-Head and Babylon: And Other Stories of Yesterday and To-Day.

It contains eighteen tales, one half set in the past and the other set in the present (well, the 'present' that Marjorie Bowen was writing in). Some of the tales are supernatural, such as the title story, but for me the most shocking and horrific one of the collection is 'The Pond' which has no supernatural element at all. The reviewer for Time & Tide (8 November 1929) said it was 'unbearable to read and must have been almost intolerable to write'!

Anyway, here's the official description: 

Sheep’s-Head and Babylon: And Other Stories of Yesterday and To-Day, first published in 1929 by John Lane, The Bodley Head, is a collection of eighteen short stories, ranging in period from the seventeenth century to the 1920s and set in various locations, including England, Scotland, France, and Italy. The themes vary as much as the periods and settings; there are tales of the occult, of murder and tragedy, along with cynical studies of modern life. Some are cruel, others are fantastic, and all are ‘uncommonly good’ (Illustrated London News, 16 November 1929). This new edition of the collection includes a 19-page biographical essay by Gina R. Collia: ‘Margaret Campbell: The Lady with the Hundred Names’. 

ISBN-13: 978-1-917113-12-0
Hardback with dust jacket, 22.86cm x 15.24cm (6” x 9”), 350 pages
Published: 29 October 2025

The book is available to pre-order from the Nezu Press store (please click here); global shipping is available. Alternatively, it will be available from the usual online retailers soon, and you can order it from bricks-and-mortar stores.


Thursday, 7 August 2025

The Botathen Ghost ~ Robert Stephen Hawker

In the spring of 1720, Daniel Defoe published his History of the Life and Adventures of Mr. Duncan Campbell. Later that year, a second edition was issued, some copies of which included the pamphlet Mr. Campbell's Pacquet, for the Entertainment of Gentleman and Ladies. This Pacquet contained 'A Remarkable Passage of an Apparition, related by the Rev. Dr. Ruddle, of Launceston in Cornwall, in the year 1665'. According to Sabine Baring-Gould in Cornish Characters and Strange Events (published in 1909), the haunting it described, by one Dorothy Dingle, was 'no invention of Defoe; it was a genuine narrative written by the hand of John Ruddle himself.'

In volume 1 of C. S. Gilbert’s Historical Survey of Cornwall, published in 1817, the ghost is called Dingley; but in volume 2, Gilbert states that this is an error as it should be Durant. She is also Durant in Fortescue Hitchins’ The History of Cornwall, published in 1824, and in Rev. F. G. Lee’s Glimpses of the Supernatural, published in 1875. Baring-Gould thought this name change was the result of confusion.

In R. S. Hawker's 'The Botathen Ghost', which first appeared in All the Year Round in 1867 (vol. xvii, pp. 501-504), the spectre is named Dorothy Dinglet. In 1903, 'The Botathen Ghost' appeared in Footprints of Former Men in Far Cornwall, edited by Charles Edward Byles, Hawker’s son-in-law (published by John Lane, The Bodley Head). The version typed here is taken from the 1908 of that book, and the footnotes below are taken from the same volume; they are different from those of the 1903 edition (see note no. 3 below).

"Parson Rudall" of Botathen from a picture in the possession of
Rev. S. Baring-Gould.

There was something very painful and peculiar in the position of the clergy in the west of England throughout the seventeenth century. The Church of those days was in a transitory state, and her ministers, like her formularies, embodied a strange mixture of the old belief with the new interpretation. Their wide severance also from the great metropolis of life and manners, the city of London (which in those times was civilised England, much as Paris of our own day is France), divested the Cornish clergy in particular of all personal access to the masterminds of their age and body. Then, too, the barrier interposed by the rude rough roads of their country, and by their abode in wilds that were almost inaccessible, rendered the existence of a bishop rather a doctrine suggested to their belief than a fact revealed to the actual vision of each in his generation. Hence it came to pass that the Cornish clergyman, insulated within his own limited sphere, often without even the presence of a country squire (and unchecked by the influence of the Fourth Estate—for until the beginning of this nineteenth century, Flindell’s Weekly Miscellany distributed from house to house from the pannier of a mule, was the only light of the West), became developed about middle life into an original mind and man, sole and absolute within his parish boundary, eccentric when compared with his brethren in civilised regions, and yet, in German phrase, “a whole and seldom man” in his dominion of souls. He was “the parson,” in canonical phrase—that is to say, The Person, the somebody of consequence among his own people. These men were not, however, smoothed down into a monotonous aspect of life and manners by this remote and secluded existence. They imbibed, each in his own peculiar circle, the hue of surrounding objects, and were tinged into distinctive colouring and character by many a contrast of scenery and people.1 There was the “light of other days,” the curate by the sea-shore, who professed to check the turbulence of the “smugglers' landing” by his presence on the sands, and who “held the lantern” for the guidance of his flock when the nights were dark, as the only proper ecclesiastical part he could take in the proceedings. He was smoothed and silenced by the gift of a keg of hollands or a chest of tea. There was the merry minister of the mines, whose cure was honeycombed by the underground men. He must needs have been artist and poet in his way, for he had to enliven his people three or four times a-year, by mastering the arrangements of a “guary,” or religious mystery, which was duly performed in the topmost hollow of a green barrow or hill, of which many survive, scooped out into vast amphitheatres and surrounded by benches of turf, which held two thousand spectators. Such were the historic plays, “The Creation” and “Noe’s Flood,” which still exist in the original Celtic as well as the English text, and suggest what critics and antiquaries Cornish curates, masters of such revels, must have been,—for the native language of Cornwall did not lapse into silence until the end of the seventeenth century. Then, moreover, here and there would be one parson more learned than his kind in the mysteries of a deep and thrilling lore of peculiar fascination. He was a man so highly honoured at college for natural gifts and knowledge of learned books which nobody else could read, that when he “took his second orders” the bishop have him a mantle of scarlet silk to wear upon his shoulders in church, and his lordship had put such power into it that, when the parson had it rightly on, he could “govern any ghost or evil spirit,” and even “stop an earthquake.”

Such a powerful minister, in combat with supernatural visitations, was one Parson Rudall,2 of Launceston, whose existence and exploits we gather from the local tradition of his time, from surviving letters and other memoranda, and indeed from his own “diurnal”2 which fell by chance into the hands of the present writer. Indeed the legend of Parson Rudall and the Botathen Ghost will be recognised by many Cornish people as a local remembrance of their boyhood.

It appears, then, from the diary of this learned master of the grammar-school—for such was his office as well as perpetual curate of the parish—“that a pestilential disease did break forth in our town in the beginning of the year A.D. 1665; yea, and it likewise invaded my school, insomuch that therewithal certain of the chief scholars sickened and died.” “Among others who yielded to the malign influence was Master John Eliot, the eldest son and the worshipful heir of Edward Eliot, Esquire of Trebursey, a stripling of sixteen years of age, but of uncommon parts and hopeful ingenuity.4At his own especial motion and earnest desire I did consent to preach his funeral sermon.” It should be remembered here that, however strange and singular it may sound to us that a mere lad should formally solicit such a performance at the hands of his master, it was in consonance with the habitual usage of those times. The old services for the dead had been abolished by law, and in the stead of sacrament and ceremony, month’s mind and year’s mind, the sole substitute which survived was the general desire “to partake,” as they called it, of a posthumous discourse, replete with lofty eulogy and flattering remembrance of the living and the dead. The diary proceeds:—

“I fulfilled my undertaking, and preached over the coffin in the presence of a full assemblage of mourners and lachrymose friends. An ancient gentleman, who was then and there in the church, a Mr. Bligh of Botathen,5 was much affected with my discourse, and he was heard to repeat to himself certain parentheses therefrom, especially a phrase from Maro Virgilius, which I had applied to the deceased youth, ‘Et puer ipse fuit cantari dignus.’

“The cause wherefore this old gentleman was thus moved by my applications was this: He had a first-born and only son—a child who, but a very few months before, had been not unworthy the character I drew of young Master Eliot, but who, by some strange accident, had of late quite fallen away from his parent’s hopes, and become moody, and sullen, and distraught. When the funeral obsequies were over, I had no sooner come out of church than I was accosted by this aged parent, and he besought me incontinently, with a singular energy, that I would resort with him forthwith to his abode at Botathen that very night; nor could I have delivered myself from his importunity, had not Mr. Eliot urged his claim to enjoy my company at his own house. Hereupon I got loose, but not until I had pledged a fast assurance that I would pay him, faithfully, an early visit the next day.”

“The Place,” as it was called, of Botathen, where old Mr. Bligh resided, was a low-roofed gabled manor-house of the fifteenth century, walled and mullioned, and with clustered chimneys of dark-grey stone from the neighbouring quarries of Ventor-gan. The mansion was flanked by a pleasaunce or enclosure in one space, of garden and lawn, and it was surrounded by a solemn grove of stag-horned trees. It had the sombre aspect of age and of solitude, and looked the very scene of strange and supernatural events. A legend might well belong to every gloomy glade around, and there must surely be a haunted room somewhere within its walls. Hither, according to his appointment, on the morrow, Parson Rudall betook himself. Another clergyman, as it appeared, had been invited to meet him, who, very soon after his arrival, proposed a walk together in the pleasaunce, on the pretext of showing him, as a stranger, the walks and trees, until the dinner-bell should strike. There, with much prolixity, and with many a solemn pause, his brother minister proceeded to “unfold the mystery.”

' "The Place" of Botathen' by J. Ley Pethybridge.

“A singular infelicity,” he declared, “had befallen young Master Bligh, once the hopeful heir of his parents and of the lands of Botathen. Whereas he had been from childhood a blithe and merry boy, ‘the gladness,’ like Isaac of old, of his father’s age, he had suddenly, and of late, become morose and silent—nay, even austere and stern—dwelling apart, always solemn, often in tears. The lad had ta first repulsed all questions as to the origin of this great change, but of late he had yielded to the importunate researches of his parents, and had disclosed the secret cause. It appeared that he resorted, every day, by a pathway across the fields, to this very clergyman’s house, who had charge of his education, and grounded him in the studies suitable to his age. In the course of his daily walk he had to pass a certain heath or down where the road would along through tall blocks of granite with open spaces of grassy sward between. There in a certain spot, and always in one and the same place, the lad declared that he encountered, every day, a woman with a pale and troubled face, clothed in a long loose garment of frieze, with one hand always stretched forth, and the other pressed against her side. Her name, he said, was Dorothy Dinglet,6 for he had known her well from his childhood, and she often used to come to his parents’ house; but that which troubled him was, that she had now been dead three years, and he himself had been with the neighbours at her burial; so that, as the youth alleged, with great simplicity, since he had seen her body laid in the grave, this that he saw every day must needs be her soul or ghost. ‘Questioned again and again,’ said the clergyman, ‘he never contradicts himself; but he relates the same and the simple tale as a thing that cannot be gainsaid. Indeed, the lad’s observance is keen and calm for a boy of his age. The hair of the appearance, sayeth he, is not like anything alive, but it is so soft and light that it seemeth to melt away while you look; but her eyes are set, and never blink—no, not when the sun shineth full upon her face. She maketh no steps, but seemeth to swim along the top of the grass; and her hand, which is stretched out alway, seemeth to point at something far away, out of sight. It is her continual coming; for she never faileth to meet him; and to pass on, that hath quenched his spirits; and although he never seeth her by night, yet he cannot get his natural rest.’

“Thus far the clergyman; whereupon the dinner clock did sound, and we went into the house. After dinner, when young Master Bligh had withdrawn with his tutor, under excuse of their books, the parents did forthwith beset me as to my thoughts about their son. Said I, warily, ‘The case is strange, but by no means impossible. It is one that I will study, and fear not to handle, if the lad will be free with me, and fulfil all that I desire.’ The mother was overjoyed, but I perceived that old Mr. Bligh turned pale, and was downcast with some thought which, however, he did not express. Then they bade that Master Bligh should be called to meet me in the pleasaunce forthwith. The boy came, and he rehearsed to me his tale with an open countenance, and, withal, a modesty of speech. Verily he seemed ‘ingenui vultus puer ingenuique pudoris.’ Then I signified to him my purpose. ‘To-morrow,’ said I, ‘we will go together to the place; and if, as I doubt not, the woman shall appear, it will be for me to proceed according to knowledge, and by rules laid down in my books.’ ”

The unaltered scenery of the legend still survives, an, like the field of the forty footsteps in another history, the place is still visited by those who take interest in the supernatural tales of old. The pathway leads along a moorland waste, where large masses of rock stand up here and there from the grassy turf, and clumps of heath and gorse weave their tapestry of golden and purple garniture on every side. Amidst all these, and winding along between the rocks, is a natural footway worn by the scant, rare tread of the village traveller. Just midway, a somewhat larger stretch than usual of green sod expands, which is skirted by the path, and which is still identified as the legendary haunt of the phantom, by the name of Parson Rudall’s Ghost.

But we must draw the record of the first interview between the minister and Dorothy from his own words. “We met,” thus he writes, “in the pleasaunce very early, and before any others in the house were awake; and together the lad and myself proceeded towards the field. The youth was quite composed, and carried his Bible under his arm, from whence he read to me verses, which he said he had lately picked out, to have always in his mind. These were Job vii. 14, ‘Thou scarest me with dreams, and terrifiest me through visions;’ and Deuteronomy xxviii. 67, ‘In the morning thou shalt say, Would to God it were evening, and in the evening thou shalt say, Would to God it were morning; for the fear of thine heart wherewith thou shalt fear, and for the sight of thine eyes which thou shalt see.’

“I was much pleased with the lad’s ingenuity in these pious applications, but for mine own part I was somewhat anxious and out of cheer. For aught I knew this might be a dæmonium meridianum, the most stubborn spirit to govern and guide that any man can meet, and the most perilous withal. We had hardly reached the accustomed spot, when we both saw her at once gliding towards us; punctually as the ancient writers describe the motion of their ‘lemures, which swoon along the ground, neither marking the sand nor bending the herbage.’ The aspect of the woman was exactly that which had been related by the lad. There was the pale and stony face, the strange and misty hair, the eyes firm and fixed, that gazed, yet not on us, but on something that they saw far, far away; one hand and arm stretched out, and the other grasping the girdle of her waist. She floated along the field like a sail upon a stream, and glided past the spot where we stood, pausingly. But so deep was the awe that overcame me, as I stood there in the light of day, face to face with a human soul separate from her bones and flesh, that my heart and purpose both failed me. I had resolved to speak to the spectre in the appointed form of words, but I did not. I stood like one amazed and speechless, until she had passed clean out of sight. One thing remarkable came to pass. A spaniel dog, the favourite of young Master Bligh, had followed us, and lo! when the woman drew night, the poor creature began to yell and bark piteously, and ran backwards and away, like a thing dismayed and appalled. We returned to the house, and after I had said all that I could to pacify the lad, and to soothe the aged people, I took my leave for that time, with a promise that when I had fulfilled certain business elsewhere, which I then alleged, I would return and take orders to assuage these disturbances and their cause.

January 7, 1665.—At my own house, I find, by my books, what is expedient to be done; and then, Apage, Sathanas!

January 9, 1665.—This day I took leave of my wife and family, under pretext  of engagements elsewhere, and made my secret journey to our diocesan city, wherein the good and venerable bishop then abode.

January 10.—Deo gratias, in safe arrival at Exeter; craved and obtained immediate audience of his lordship; pleading it was for counsel and admonition on a weighty and pressing cause; called to the presence; made obeisance; and then by command stated by case—the Botathan perplexity—which I moved with strong and earnest instances and solemn asseverations of that which I had myself seen and heard. Demanded by his lordship, what was the succour that I had come to entreat at his hands? Replied, licence for my exorcism, that so I might, ministerially, allay this spiritual visitant, and thus render to the living and the dead release from this surprise. ‘But,’ said our bishop, ‘on what authority do you allege that I am intrusted with faculty so to do? Our Church, as is well known, hath abjured certain branches of her ancient power, on grounds of perversion and abuse.’ ‘Nay, my lord,’ I humbly answered, ‘under favour, the seventy-second of the canons ratified and enjoined on us, the clergy, anno Domini 1604, doth expressly provide, that “no minister, unless he hath the licence of his diocesan bishop, shall essay to exorcise a spirit, evil or good.” Therefore it was,’ I did here mildly allege, ‘that I did not presume to enter on such a work without lawful privilege under your lordship’s hand and seal.’ Hereupon did our wise and learned bishop, sitting in his chair, condescend upon the theme at some length with many gracious interpretations from ancient writers and from Holy Scripture, and I did humbly rejoin and reply, till the upshot was that he did call in his secretary and command him to draw the aforesaid faculty, forthwith and without further delay, assigning him a form, insomuch that the matter was incontinently done; and after I had disbursed into the secretary’s hands certain moneys for signitary purposes, as the manner of such officers hath always been, the bishop did himself affix his signature under the sigillum of his see, and deliver the document into my hands. When I knelt down to receive his benediction, he softly said, ‘Let it be secret, Mr. R. Weak brethren! weak brethren!’ ”

This interview with the bishop, and the success with which he vanquished his lordship’s scruples, would seem to have confirmed Parson Rudall very strongly in his own esteem, and to have invested him with that courage which he evidently lacked at his first encounter with the ghost.

The entries proceed: “January 11, 1665.—Therewithal did I hasten home and prepare my instruments, and cast my figures for the onset of the next day. Took out my ring of brass, and put it on the index-finger of my right hand, with scutum Davidis traced thereon.

January 12, 1665.—Rode into the gateway at Botathen, armed at all points, but not with Saul’s armour, and ready. There is danger from the demons, but so there is in the surrounding air every day. At early morning then, and alone,—for so the usage ordains,—I betook me towards the field. It was void, and I had thereby due time to prepare. First, I paced and measured out my circle on the grass. Then did I mark my pentacle7 in the very midst, and at the intersection of the five angles I did set up and fix my crutch of raun8 [rowan]. Lastly, I took my station south, at the true line of the meridian, and stood facing due north. I waited and watched for a long time. At last there was a kind of trouble in the air, a soft and rippling sound, and all at once the shape appeared, and came on towards me gradually. I opened my parchment-scroll, an dread aloud the command. She paused, and seemed to waver and doubt; stood still; then I rehearsed the sentence again, sounding out every syllable like a chant. She drew near my ring, but halted at first outside, on the brink. I sounded again, and now at the third time I gave the signal in Syriac—the speech which is used, they say, where such ones dwell and converse in thoughts that glide.

“She was at last obedient, and swam into the midst of the circle, and there stood still, suddenly. I saw, moreover, that she drew back her pointing hand. All this while I do confess my knees shook under me, and the drops of sweat ran down my flesh like rain. But now, although face to face with the spirit, my heart grew calm, and my mind was composed. I knew that the pentacle would govern her, and the ring must bind, until I gave the word. Then I called to mind the rule laid down of old, that no angel or fiend, no spirit, good or evil, will ever speak until they have been first spoken to. N.B.—This is the great law of prayer. God Himself will not yield reply until man hath made vocal entreaty, once and again. So I went on to demand, as the books advise; and the phantom made answer, willingly. Questioned wherefore not at rest? Unquiet, because of a certain sin. Asked what, and by whom? Revealed it; but it is sub sigillo, and therefore nefas dictu; more anon. Inquired, what sign she could give that she was a true spirit and not a false fiend? Stated, before next Yule-tide a fearful pestilence would lay waste the land and myriads of souls would be loosened from their flesh, until, as she piteously said, ‘our valleys will be full.’ Asked again, why she so terrified the lad? Replied” ‘It is the law: we must seek a youth or a maiden of clean life, and under age, to receive messages and admonitions.’ We conversed with many more words, but it is not lawful for me to set them down. Pen and ink would degrade and defile the thoughts she uttered, and which my mind received that day. I broke the ring, and she passed, but to return once more next day. At even-song, a long discourse with that ancient transgressor, Mr. B. Great horror and remorse; entire atonement and penance; whatsoever I enjoin; full acknowledgement before pardon.

January 13, 1665.—At sunrise I was again in the field. She came in at once, and, as it seemed, with freedom. Inquired if she knew my thoughts, and what I was going to relate? Answered, ‘Nay, we only know what we perceive and hear; we cannot see the heart.’ Then I rehearsed the penitent words of the man she had come up to denounce, and the satisfaction he would perform. Then said she, ‘Peace in our midst.’ I went through the proper forms of dismissal, and fulfilled all as it was set down and written in my memoranda; and then, with certain fixed rites, I did dismiss that troubled ghost, until she peacefully withdrew, gliding towards the west. Neither did she ever afterwards appear, but was allayed until she shall come in her second flesh to the valley of Armageddon on the last day.”

These quaint and curious details from the “diurnal” of a simple-hearted clergyman of the seventeenth century appear to betoken his personal persuasion of the truth of what he saw and said, although the statements are strongly tinged with what some may term the superstition, and others the excessive belief, of those times. It is a singular fact, however, that the canon which authorises exorcism under episcopal licence, is still a part of the ecclesiastical law of the Anglican Church, although it might have a singular effect on the nerves of certain of our bishops9 if their clergy were to resort to them for the faculty which Parson Rudall obtained. The general facts stated in his diary are to this day matters of belief in that neighbourhood; and it had been always accounted a strong proof of the veracity of the Parson and the Ghost, that the plague fatal to so many thousands, did break out in London at the close of that very year. We may well excuse a triumphant entry, on a subsequent page of the “diurnal,” with the date of July 10, 1665: “How sorely must the infidels and heretics of this generation be dismayed when they know that this Black Death, which is now swallowing its thousands in the streets of the great city, was foretold six months agone, under the exorcisms of a country minister, by a visible and suppliant ghost! And what pleasures and improvements do such deny themselves who scorn and avoid all opportunity of intercourse with souls separate, and the spirits, glad and sorrowful, which inhabit the unseen world!”
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All this is singularly applicable to Hawker himself.
2 John Ruddle, or Rudall, A.M., was instituted Vicar of St. Mary Magdalene, Launceston, on Christmas Day, 1663, on which day he began his ministry. He is entered in the Visitation Book of 1665 as vicar, and in that of 1692 as curate. He became a prebendary of Exeter. On July 15, 1671, he married Mary Bolitho, a widow. He was buried on January 22, 1698.
3 In his footnote, concerning the original manuscript of the 'diurnal' Byles refers the reader to Appendix H at the back of the book, the relevant contents of which I shall explain here. In the 1903 edition of Footprints of Former Men in Far Cornwall, Byles doubted the existence of the original account written by Ruddle (or Rudall), but by the time the 1908 edition came out he had received information that suggested such a document had existed. According to Byles' appendix, a copy of Ruddle's account, dated 1730, belonged to a descendant of the parson, and it had been reproduced in the Launceston Weekly News in 1895. Also, a second manuscript existed, named Hartshorne after its owner. One Rev. William Iago of Bodmin had examined the two manuscripts and compared them. In the main, the contents of these two documents and the version in Gilbert’s Historical Survey of Cornwall were the same.
4 See Vivian’s “Visitation of Cornwall,” p. 148.
5 For the pedigree of the family of Bligh, of Botathen, see Vivian’s “Visitation of Cornwall,” p. 38. William Bligh, baptized May 18, 1657, was the son of William, who was baptized June 9, 1633, and was, therefore, only thirty-two in 1665. According to ancestries given by Carew and Gilbert, it is probable that the Earls of Darnley are descended from the Blighs of Botathen.
6 In the old MS. from which the story is taken [see note 3 above] the initials "D.D." only are given, and young Eliot describes her as "a neighbour here to my father." This name is said to be wrong. Various alternatives, Dingle, Dingley, Durant, and Derrant, have been suggested.
7 The pentacle of Solomon. ‘This was the five-angled figure which was engraved on an emerald, and wherewith he ruled the demons.’
8 Compare the lines on Merlin in “The Quest of the Sangraal”—
“He raised his prophet staff: that runic rod,
The stem of Igdrasil—the crutch of Raun,”
to which Hawker appends the following note: “Ingdrasil, the mystic tree, the ask of the Keltic ritual. The Rain, or Rowan, is also the asj of the mountain, another magic wood of the northern nations.”
9 Hawker was quite capable of submitting a poser of this kind to his own bishop, Dr. Phillpotts. It is on record that he once exorcised a rebellious vestry, but whether he obtained the bishop’s licence in this case is not stated.

Books and Bench Ends ~ A Visit to Morwenstow Church

My husband and I paid another visit to Morwenstow in North Cornwall a few days ago, and, in addition to wandering all around taking in the beautiful scenery, we visited The Church of St Morwenna and St John the Baptist. 

Knowing that we intended to visit the church, I took Footprints of Former Men in Far Cornwall by Robert Stephen Hawker, vicar of Morwenstow from 1834. My copy is the 1908 edition (published by John Lane, The Bodley Head), the cloth cover of which is decorated in relief with designs taken from sections of the woodwork within Hawker's church, and we decided to go and find the original carvings. Inside the book, in the list of illustrations, they are described thus:

'The Panel Design on the Front Cover represents a BENCH END in Morwenstow Church; that of the Border is the VINE CARVING of the roof.'

Well, we went looking for the bench end first, and there are a lot of them in the church, all beautifully carved. Though, for the most part, they feature the same elements, the arrangement of these—their positioning and combination, the choice of border around them, etc.—and the nature of hand carving itself means that they're all very individual. The elements included on the cover of Footprints of Former Men in Far Cornwall are distinctive, and we looked all over the place without finding the right bench. We came across a very similar floral motif on one bench end (the one where the church warden sits), without the top curling leaf and with a different enclosure (see the photo above). And then we found it! If you go into the church, head for the central aisle, turn to face the front of the church, and proceed to the third bench on your right (I hope that makes sense), you will find the lovely carving that inspired the central panel of the book cover (see photos below).



Next, we looked for the border carving. If you want to see this one, simply head for the lectern (where the light is better for roof searching) and raise your eyes to heaven. It's way up high, and I didn't expect my photograph of it to turn out, but it does show the vine and leaf design (which you can compare with the book cover in the first photo above).

The illustration list in Footprints of Former Men in Far Cornwall makes no mention of the design on the spine of the book, but it is very similar to the pattern carved down the edge of this bench:

Footprints of Former Men in Far Cornwall is one of three volumes published with this lovely cover design; the other two are The Life and Letters of R. S. Hawker (1906) and Cornish Ballads and Other Poems (1904).

In case you've not read anything else on this blog and don't know why I am interested in R. S. Hawker and Morwenstow, I shall tell you. While researching Charlotte and Gratiana Chanter (the wife and daughter of the vicar of Ilfracombe), I found out that the Chanters were staying at Morwenstow when Charlotte worked on Over the Cliffs. Gratiana thought Hawker kind and hospitable, and her father spent quite a bit of time with him. Hawker was also a friend of Charlotte's brother, Charles Kingsley, author of The Water Babies and Westward Ho!

Curiosity took me to Morwenstow, then I read ‘The Botathen Ghost’, possibly Hawker's best known prose work (which is included in Footprints of Former Men in Far Cornwall), and one thing led to another.

My next blog post, which I shall add not long after I publish this one, will include the entire text of 'The Botathen Ghost'.